In the interest of forwarding the field of sound recording, saxophonist Phil Hargreaves joined saxophonist Caroline Kraabel for a bi-saxophonist romp through Liverpool. They wanted to see how different environments affected the quality and perception of their recorded music, and to that end they were blowing horns everywhere from an anechoic chamber to the Mersey Tunnel.
The resulting recording could not have been achieved were it not for the handy Cakewalk SONAR 7. Hargreaves is a longtime Cakewalk user, and as an guy who started editing on reel-to-reel, you can bet he's got a much deeper appreciation of SONAR than most of you whipper-snappers.