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Crosstalk 43: Bill, Henry, Britton And Owen On Vintage Fetishism

May 05, 2008
Crosstalk 43

If you're a dedicated oenologist, when you use the word vintage, you know exactly what you're talking about. The mere mention of a specific year can bring hardcore winos to blows, but in the music gear aftermarket the precise meaning of that oft used word -- like an unfiltered valpolicella -- gets a bit murky.

Being a group of semi-pro musicians who've had their share of experiences in the vintage market (and the shoulder-mounted-chips to prove it) the Crosstalk panel has plenty to say about the gear that they believe deserves the drooling directed at it, and the "vintage" stuff that's really just hot trash.

Enjoy past episodes of Crosstalk on Gearwire!

>>Stereo (46.7MB)
Crosstalk 51, Full Episode: Shocking Facts About Slash Revealed
Crosstalk 51, Part 3: Power-Tube Shootout! Or Valve! Whatever!
Crosstalk 51, Part 2: So, How Much Ya Tweakbench?
Crosstalk 51, Part 1: A Pickup By Any Other Name . . .
Yamaha GL1 Guitalele Ukulele / Guitar And Yamaha FGX700SC Acoustic-Electric Guitar Released
Taylor Guitars Koa Ukulele And Grand Symphony Set: A Matched Pair
PRS Guitars SE Angelus Standard Model Guitars Get Pickups
Reverend Guitars Eastsider, Reverend Guitars Fifteenth Anniversary Flatroc, Reverend Guitars Sensei RA Guitars
Veillette Guitars Veillette Cutaway Acoustic Bass Introduced
Reverend Thundergun Bass In Wine Red: New Color For Set-Neck Series Bass
Fender Blacktop Precision Bass And Fender Blacktop Jazz Bass Introduced
Cort Guitars And Sandberg Guitars Collaborate On Arona Bass
Aguilar Amplification Tone Hammer 350: A Super Light Amplifier
Fender Bronco 40 Bass Amp Now Shipping
Roland Cube-XL Bass Amplifier Series Ships: Cube-20XL Bass, Cube-60XL Bass, And Cube-120XL Bass
Aguilar AG500 Amp And Knights On Earth Bassist, Mike Chiavaro
Waldorf Pulse 2: New Analog Synth Announced
Casio XW-G1 Groove Synthesizer And Casio XW-P1 Performance Synthesizer Debut
Korg Kaossilator 2 Dynamic Phrase Synthesizer / Loop Recorder Debuts
Arturia MiniBrute: Brutal Monophonic Analog Synthesizer Unveiled
Boss RC-30 Loop Station Review By Marty Cutler: Is It Still A Loop When It’s Nearly 3 Hours Long?
Roland SP-404SX Pro Review by David Battino: Runs on Batteries, Samples for Days
Pitchfork Music Festival 2010: Jon Philpot From Bear In Heaven Copes With Note Drift (Video)
Akai MPC1000 Review By Marty Cutler: Does An MPC Still Beat The Competition?
Origin Convergence: 6-String And 7-String Shred Guitars Introduced
PRS Guitars Limited-Edition PRS Artist Model Guitars Updated For 2012: New SE Dave Navarro, Revamped SE Orianthi And More
PRS Guitars Custom 24 Model Updated With Contoured Pickup Bobbins
PRS Guitars P22: A 22-Fret Piezo Electric
Veillette Guitars Flyer: New Acoustic Guitar Announced
Martin Guitar SP Lifespan Strings And The Great Martin String Challenge: Can You Tell The Difference?
Martin Guitar OM-42, Martin Guitar DC-15ME And 000-15SM, Martin Guitar HD-28MP And D-35MP: Summer NAMM Preview
Martin Guitar Trademarks Its Distinctive Headstock
VHT Amplification VHT Special 12/20RT Tube Amplifier Announced
Blackstar Amplification HT Club 50H Head And Matching Cabinet Added To HT Venue Series
Yamaha THR Line Of Compact Amplifiers Announced At Winter NAMM
65Amps The Producer: New Guitar Amplifier Introduced
Mojave Audio MA-301fet: All-New Condenser Microphone Introduced
Lauten Audio Atlantis FC-387: Solid-State, Large-Diaphragm Condenser Microphone Debuts
Audio-Technica AT2005USB Cardioid Dynamic USB / XLR Mic Intro'd
CAD Audio Updates E300S: Better Version Of The Large-Diaphragm Condenser Mic
Roland R-26 Now Shipping: Portable Recorder Boasts Built-In Stereo Mics, XLR / TRS Combo Inputs, And More
Alesis TwoTrack: New Handheld Digital Audio Recorder
Korg MR-2 High-Resolution Mobile Recorder Review By Larry the O: Are You Ready For 1-bit Recording?
Tascam DR-05 Portable Recorder: High-Quality Sound, Simple Operation
Yamaha MGP12X And Yamaha MGP16X: Hybrid Analog / Digital Mixers
Yamaha 01V96i Digital Mixer: Gear Up For Multitrack Live Recording
Allen & Heath ZED-16FX And Allen & Heath ZED-18 Mixers To Join ZED Series
PreSonus StudioLive 16.4.2 Digital Mixer Review By Rick Weldon: Got Live (And Studio) If You Want It
Muse Research Muse OS 2.0 Software And Receptor VIP Announced
MOTU Digital Performer 8: Major Update Coming Soon
MakeMusic Finale NotePad 2012 And MakeMusic Finale IPad App Intro'd
Cakewalk Sonar X1d Update And Sonar X1 Producer Crossgrade Announced
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You know I really empathize

By: Anonymous Coward (not verified)

You know I really empathize with the flamers. I used to check in with crosstalk with Dan, Britton, and Drew. It was really great! The videos on youtube I learned a lot from. This new group is really hard to take.

This podcast is just so worthless. I really tried to get something out of this, but you guys say nothing helpful at all. What is going on?

It is really sad to see crosstalk turn into this. You guys are just bullshitting with each other here. I'm about to give up on crosstalk. It's a shame.

Tue, 2008-05-06 00:07

This is the new crosstalk!?

By: Aaron spears (not verified)

This is the new crosstalk!? No wonder everyone hates this show. Yikes, i had to hear it myself. The guys on the forums are trashing you hard. Honestly, this was worse than everyone says.

I hope you guys don't get paid for this.

Tue, 2008-05-06 00:13

Yep, in its current form it

By: Anonymous Coward (not verified)

Yep, in its current form it stinx to high heaven

Simple soln.

Sack both NFIs Britton (what has he actually produced that anyone would know?) and Henry (who the fuck is he?)

Re-hire Dan-T-Man (the Guru)

Even bring back Mr Voice (Mike) to m.c. the whole thing

At least Bill seems to know his stuff and applies an objective eye to most things

FUCK e-mail btw..... I never use that old-school method

You guys could always go Skypecast if you had the balls

Tue, 2008-05-06 00:45

right...

By: bholland

So, what's actually wrong with the show? We are still offering the same information we were before Drew and Dan left us, but it's in audio format.

All anyone seems to want to do is point fingers, without being specific or taking the time to record their own podcast.

Give us some feedback. If you've ever critiqued a mix for anyone, you know that you have to be specific as to what is good about it and what is not working in it. Let us know what you like and what you do not like. Liking or disliking Britton does not even matter, when you cannot verbalize what it is about the show you do not like. Stop being anonymous, and start helping us make the show better.

Do you miss the demos? The tips on recording? The black backdrop with cable everywhere? What's going on that has everyone's panties in a bunch?

Tue, 2008-05-06 10:28

Crosstalk rules!!!

By: Anonymous Coward (not verified)

Seriously, whoever keeps writing these nasty comments should be ashamed, these bitter haters are truly useless human beings with no purpose.

I actually think crosstalk is great, its informative and entertaining. Definitely nothing else out there quite like this show and whoever doesn't get it is probably to dumb to know what the guys are talking about anyway.

For all those or the guy who hates crosstalk, just go to youtube and view people putting mentos in coke bottles to watch it EXPLODE! or perhaps monkeys picking their bums and smelling their finger.

Tue, 2008-05-06 02:31

First, bring back the video

By: Talkative (not verified)

First, bring back the video format.

What I liked about the old show was that it was primarily about taking a more indepth look a gear than the short review videos found elsewhere on the site. That should be the primary format. Then commentary on "trends," etc. as filler. In other words, it was better before. Look at those shows and do what was being done back then and we'll be back on track.

And for all Gearwire videos in general, get some better theme music, bumpers, etc. Quit using that same overly compressed synth intro for all the videos, it slams the shit out of my ears -- somebody overdid the limiter ... and it's musically very interesting, just a bunch of random notes on a synth. In the old days they changed the music (and visuals) of the intros more often. It was more entertaining, humorous, etc.

Wed, 2008-05-07 10:23

< Sorry, I meant to type

By: Talkative 2 (not verified)

<>

Sorry, I meant to type "it's NOT very interesting musically..."

Wed, 2008-05-07 10:24

gotcha

By: bholland

the bumpers were done in a hurry a while back. I'm guessing you're talking about the main gearwire bumper, not the crosstalk intro music. We've got it in our priority list to change everything around, it's just one of those things where we have our daily goals and then the bumpers come later, but they are in the works. I'm not sure what you mean by musically interesting, but I'm guessing you're not a big fan of electronic music. The plan is to mix it up for each type of video/tutorial.

As for the format, we've pulled the video simply because of the production time involved given the size of our staff at the moment. I'm sure that as more people come on board, we'll be bringing that back. As for the demos, that is a possibility although it is difficult to do in an audio format.

This is all good stuff, though, and I will run it by everyone here to see what they think. Thanks for the feedback.

Wed, 2008-05-07 11:18

"I'm guessing you're talking

By: Talkative 3 (not verified)

"I'm guessing you're talking about the main gearwire bumper, not the crosstalk intro music"

Yes. I've been meaning to complain about it, so I just slipped that in. It was interesting at first, but is now stale and overused.

"I'm not sure what you mean by musically interesting, but I'm guessing you're not a big fan of electronic music."

As I corrected above, I meant to say NOT very musically interesting. I like all kinds of music, including electronic, but this piece is like random notes that just fade in and out. I would prefer a complete musical idea lasting whatever duration. It was fun at first, but in the old days they changed things up more, more styles on the bumpers, more humor, whatev.

Thanks for listening! Keep groovin/rockin, etc!

Wed, 2008-05-07 11:31

cool

By: bholland

I actually want to sit down and record different styles of bumpers. I've got kind of a melodic nu-italo track in the works right now, but I want to add an acoustic theme, metal theme, jazz....we'll have a whole bunch of different bumpers. First, we're reorganizing the site so it's easier to navigate, and then we'll be mixing up the themes, so hang in there while we juggle things are to make your experience more enjoyable.

Wed, 2008-05-07 12:50

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