So you think gear-quality has no meaning in experimental music applications? You think an experimental musician get just get by with anything little thing that makes noise? Well, OK, that is sometimes the case, but as this portion of our interview with Matt Sekel confirms, there are times when practical concerns come into play when selecting equipment, regardless of application.

Here, Matt talks about his Dunlop Crybaby; in particular, he talks about the ways in which it doesn't suit his needs.