Electro-Voice

Designing sound systems for various venues and locations require a significant amount of cost; therefore careful designing must take place to balance out good sound quality with budget limitations. The Electro-Voice LAPS V2.2A is a good predictive design guide for the sound system designer who plans on using Electro-Voice line array and related subwoofer products.  

Following the path of the PL legacy from the 1970s, a new line of vocal and instrument microphones has surfaced. Introduced at InfoComm 2009, the Electro-Voice 2008 PL series is going to deliver high-quality live sound applications.  

Jimmie Deeghan of Every Avenue admittedly does not have a lot of pedals, and the Electro-Harmonix Russian Muff he does have is not really the apple of his eye at the moment. Hear his best impression of that pedal, plus some highlights of consumer challenges as a touring musician, in this video.  

Known for -- among other things -- rock-solid medium to large venue sound systems, Electro-Voice arrived in Anaheim with their newest line of lower-cost amplifiers, the Q Series. Why Q? No idea. Stop asking Qs.  

The Electro-Voice N/D767a is a higher-grade dynamic mic than you might be used to. To ease you into its world of tighter pickup patters and detailed frequency response, J. Irving-Giles sings you a few melodies that get progressively more belt-y.  

I was going to reference Frank T.J. Mackey (Tom Cruise in Magnolia) in this teaser text, but about the least questionable thing he says in that movie is "naughty sauce." Anyway, Electro-Voice has a new headset mic that truly delivers the naughty sauce.  

ElectroVoice unveils a couple of new products at Winter NAMM 2008 including the SB2A and the ZXA5. The SB2A is a subwoofer with a dual power amp, and the ZXA5 is an active monitor.  

Austin-based hard rock act Dead Earth Politics talks about the mics, guitars, amps and pedals they use to get their "metal-meets-jazz and more" sound.  

Is your portable PA suffering from a lack of self-esteem? Are you, in turn, suffering from a glut of heavy-lifting induced hernia? The SB2A is here to solve all your problems. Think of it as your new support system.  

Today's Gearwire Gallery ad comes from the May 1986 issue of Keyboard Magazine. The ad is for Electro-Voice speakers.

J. Irving-Giles: At the time, their tag-line was "Electro-Voice speakers -- it's like...  

First off we will listen to the sound that the Shure Beta52 lends to a kick drum. This will immediately be followed by the main event. Two barbarians of bass will meet on the field of battle. The Shure Beta52 will duke...  

Most vocalists know enough about microphones to recognize merely the name Shure SM58, but Melissa Salcedo of Hazel Witch much prefers the ElectroVoice RE510. Patrick Ogle joins her on the road - find out why Melissa doesn't...  

The Electro-Voice 635 is great for feedback - creating it, that is. Sound Artist Nicolas Collins continues our conversation on audio experimentation, and when an audio "issue" isn't really an issue. Read more from Collins...  

Electrovoice's Tony Price gives us a short tour of the RE-20 and Cardinal microphones on the floor of Musikmesse 2007 in Frankfurt, Germany. The RE-20 of course is the legendary large diaphram dynamic mic that is used in...  

We're always looking to glean whatever knowledge of the sound arts that we can from the trade show floor. Electrovoice's Tony Price was nice enough to afford us this opportunity on the floor of Musikmesse 2007 in Frankfurt,...  

The new Electrovoice REV Wireless System is a no comprimises setup that accomodates "44 different systems" out of the box. That's simultaneously one would assume. Another perk is the slim handheld transmitter which doesn't...