Korg SV1 Stage Piano Exhibits Vintage Looks And Hybrid Vintage-Modern Sound: What Could The Buzz Be All About?
The fire of vintage appeal doesn't seem to be extinguished. Rumors about the Korg SV1 Stage Piano, a new keyboard instrument reminiscent of the electric pianos and combo organs of yesteryears, have been circulating around the internet since getting its introduction in Korg's native homeland, Japan. Given its red vintage looking exterior, is it possible that Nord all of the sudden has a formidable rival?
As of this time, there has been no official word from Korg with regard to the new Korg SV1, and all sources of current information regarding it comes from poorly and literally translated information from Japanese web sites care of Google translation. What we know as of this time, besides the aesthetics, is the fact that it will come in 76- and 88-key versions and will contain the following specs:
- Valve Reactor
- EDS (Enhanced Definition Synthesis)
- PCM (ROM) 512MB
- SV1 Editor
- L R XLRx2 +L/MONO R, 1/4”, L/MONO R
- MIDI :IN / OUT
- USB: Type B (MIDI USB 1.1)
- AC100 240V 50/60Hz 15 W
- SV1-73 (73key):1,143(W) x 347(D) x 157(H) mm / 17.5 Kg
- SV1-88 (88key):1,356(W) x 347(D) x 157(H)/mm / 20.5 Kg
Furthermore, it is rumored to have the following sounds:
- E. Piano 1 (Tine EP/Amp, Tine EP/Phaser, Tremolo EP, Dyno EP, VPM Piano, VPM Tine
- E. Piano 2 (Reed EP1, Reed EP2, Electric Grand, SG-1D Piano, 80’s Piano, MIDI Grand )
- Clav ( Clav AC, Clav BC, Clav BD, Clav AD, ElectroPno, ElectraPno )
- Piano ( Grand Piano 1, Grand Piano 2, Mono Grand, Upright, Piano/Strings, Piano/Pad)
- Organ ( Click Tonewheel, Jazz Tonewheel, Full Tonewheel, Console Organ, Italian Combo, Vox Combo )
- Other ( Full Strings, Tape Strings, 70s Strings, Choir, Synth Brass, Sharp Brass )
Please take note that the specifications and features described above are still speculative and would probably be subject to change. As soon as official word from Korg comes in, we will be able to provide a more definitive look into this new release.





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