Music For Television: Dave Huizenga On The Craft Of Songwriting And Writing Hooks

February 19, 2007
Cold Case Files music composer Dave Huizenga talks about writing music for television
In part three of our interview series with TV composer and songwriter Dave Huizenga, we asked Huizenga how the constraints, deadlines, and needs of the script for each week's Cold Case Files affects his songwriting. What kind of challenges do the tight deadlines and needs of the show create for the songwriter? What about the need to add atmosphere to the program without drawing the viewer's attention to the music and away from the story? Gearwire's Joe Wallace asked Dave award-winning composer Huizenga how he deals with these challenges.

More info is at the A&E Cold Case Files official site.

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By: francine dancer (not verified)
1 am also in access nationand 173 episodes of the #1 public accesstvshow.thirsday night i sing at an open mic at ravolutions in santamonica cal.i had a star named dave huizenga in star regestry,stardate.jan.15
Wed, 2007-07-11 19:37

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Wed, 2007-07-11 19:43

CHARIOT AWAITS

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CHARIOT AWAITS
Wed, 2007-07-11 19:43

ALL RIGHT NOW

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ALL RIGHT NOW
Wed, 2007-07-11 19:44

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Tue, 2007-08-21 21:42

horiscope

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you have a really good horiscope today
Tue, 2007-09-11 12:13

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JOE WALLACE: You mentioned you've got some constraints on how you approach the material because you don't want to overwhelm the show. How has working like this improved your skills as a songwriter?

DAVE HUIZENGA: Well, it's good. That's a great question. It's made me realize the importance of, well, I think it's obvious to a pop songwriter in a way that the hook, a hook is a very important element to any successful pop song, but it's just given me the opportunity to realize that, you know...,

[DAVE HUIZENGA PLAYING A FEW SYNTH PASSAGES]

...that that can be a successful hook in this show. And so I think, if anything, it's just pulled me back. It's just given me the restraint that's necessary to take -- It's like I feel that there's an unending. I think in the early days I probably was concerned, when I got into -- when I left performing live, which thankfully I'm still doing again by the way and I love it, but there was that period when I stopped performing live and got into this and thought can this be -- Well two things. I thought, "Can this be as satisfying to me as being on stage and rocking?" you know, and having, you know, a thousand people in front of you and seeing that immediate response, which just, you know, gives you that satisfaction, you've done your job, you know. But I quickly learned that yes indeed.

You know, when we have screenings and I sit back, you know, it's not like a movie where I can go in the theater necessarily and catch the response of a sold out movie theater if I had scored a film because it's in people's homes. But when I complete this job here, we have our screenings and I see that I have effortlessly, or so I wanted to appear, integrated my soundtrack in there and helped tell the story, you know. It is as wonderful as a, you know, as a the live in its own way. [LAUGHING]

And then that second part of that question was just about creatively the songwriting opportunities or the capabilities. I mean I, when I first started, I thought, "Okay, I've got a great hook here and these first couple of episodes were good. Can I do this again?" you know. "Can I come up with something else?" you know, and I just didn't know. Well, the first season went by and sure enough, thanks to a lot of things I must say, the sounds inspire me. They really do. And, you know, again I have this one here. I just -- I could click on anything and get a bit of a -- Let's see here. We'll move over to my expand thing here.

[DAVE HUIZENGA PLAYING A FEW PASSAGES WITH DIGIDESIGN XPAND]

Maybe here.

[DAVE HUIZENGA PLAYING A FEW PASSAGES WITH DIGIDESIGN XPAND]

You know, today it's just there's so many -- I'm so grateful to these people for all the time and effort, especially like I say the Spectrasonics people, the time and effort they put into the things as a creative starting point, you know, a launch pad, and so with the help of all that, I'm not saying I could with an acoustic guitar sit down and have come up with 20 years worth of tunes, but it is amazing looking back that there's still -- I don't have that fear anymore. I can sleep at night knowing the next day yeah I'm going to come up with something. You know, it's I love it. I absolutely love what I do, so it's not a task. It's not a chore at all, you know. Something fresh is going to happen today. That's the way I like to think about it, you know. It does.

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