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Musiconic Guitorgan: A Guitar With Some Real Innards

November 28, 2007
Guitorgan

Mike Conroy is a Chicago musician in the surf punk band Fiendo and a multi-instrumentalist. Sometimes, Mike needs to play instruments that are simultaneously amalgamated like the Musiconic Guitorgan, a guitar and organ in one. The keys are the segmented frets beneath the strings for an organ sound that complements the guitar work.

Check out Mike's collection of Guitorgans. He plays a bit of one and opens up a couple of others -- kind of like an autopsy on a mutant instrument.

For more on Mike Conroy, visit his band Fiendo's official website.

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MIKE CONROY: So yeah, I’m Mike Conroy, and this is a Guitorgan, and [STRUMS A CHORD ON THE GUITORGAN] unfortunately not complete working order but still it’s making a lot of noise.

PATRICK OGLE: So tell me what it is, what a Guitorgan is.

MIKE CONROY: It is a -- This is a guitar with -- and you can kind of hear it scream a little bit -- It has an organ built inside of it to the extent that these are the stops, the different sounds that your typical organ would have, [STRUMS THE CHORD ON THE GUITORGAN], and then the keys are basically when the string touches the fret. If you can get a close-up on the frets, you can see that they are segmented, so there’s six pieces to each fret, and each one has just has a wire going through it, so this neck is hollow and completely filled with copper wire going to an enormous circuit board -- there it is -- that’s the case that’s why every guitorgan you’ll see is a hollow body because they use the bodies to house all the circuitry.

[MIKE CONROY PLAYING THE GUITORGAN]

PATRICK OGLE: I have another question: Why? [LAUGHING]

MIKE CONROY: Why? [LAUGHING] So you could play an organ and a guitar at the same time, and the idea is when the string touches the fret, it touches off so like this would actually be the equivalent of pushing down an A string or an A key on an organ. So, you don’t even have to fret it or strum it. You just take the frets down and it keys of your [STRUMS CHORDS ON THE GUITORGAN].

Now, the problem is is that the circuitry is very, as you can tell, it’s kind of intermittent. The circuitry is very delicate and I don’t think they had it quite down.

PATRICK OGLE: When were these made?

MIKE CONROY: I think it was in the like early to mid ‘70s, and there were not a whole lot of them. There’s -- It caught me that these were, the ones that I have are just called Musitronics and they outfitted Univox guitars. So the guitar was made first. They bought a bunch of them, cut out the backs, dug them out, and stuck in all this circuitry.

[MIKE CONROY PLAYING THE GUITORGAN]

PATRICK OGLE: So, I’m feeling that sound is the guitorgan.

MIKE CONROY: Yeah. This is the actual organ sound. At least you can tell there’s something wrong with it, but that’s kind of the idea.

[MIKE CONROY PLAYING THE GUITORGAN]

MIKE CONROY: And that’s -- And these are just different tones.

[INDISCERNIBLE] I have a couple of more but what I did was I bought these with the intentions of using the parts to help fix that one. So, you can kind of see this one is just -- I got them like this. I didn’t destroy them, but this is sort of what the inside of these things look like, and as you can imagine this is how you tune each knob.

PATRICK OGLE: These are like -- This is like not in style.

MIKE CONROY: Yeah. This is just insane like straight [OVERLAPPING]

PATRICK OGLE: Basically if somebody decided to do this today, it would be on a chip the size of your finger.

MIKE CONROY: Oh, exactly. Yeah. Yeah. This just kind of the -- your precursor to the MIDI guitars.

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