DREW KRAG: But right now, I’m going to switch guitars for a moment, move over to this Epiphone double neck just so we can get the sound of a humbucker through this amp. It will take a minute for it to warm back up.

[DREW KRAG PLAYING AN EPIPHONE DOUBLE NECK THROUGH THE PIGNOSE G40V]

Woo. All right. So, as you see we have this Epiphone double neck. I’m going to be just using the bottom guitar. Unfortunately, this happens to be only one of the only guitars we have in the studio today that has the humbucker and a tone knob so we’re going to use this one, but we’ll go ahead and take a listen to the more distorted sounds with the humbucking pickup on this amp.

[DREW KRAG PLAYING AN EPIPHONE DOUBLE NECK THROUGH THE PIGNOSE G40V]

She screams and she sounds pretty good I have to admit. Let’s try a different pickup selection.

[DREW KRAG PLAYING AN EPIPHONE DOUBLE NECK THROUGH THE PIGNOSE G40V]

So, you can get some screaming blues sounds out of this amp no problem.

[DREW KRAG PLAYING AN EPIPHONE DOUBLE NECK THROUGH THE PIGNOSE G40V]

Now, the last tone I want to try is a more cleaner sound with the humbucking pickup. Now, this is a little bit more difficult. Like I mentioned earlier, you can’t escape the tube warmth of this amp and the saturation of it so let’s give it a shot. I’m going to turn the pre-volume down and the master back up. I’m going to roll off the treble just a little bit and turn the presence up a bit.

[DREW KRAG PLAYING AN EPIPHONE DOUBLE NECK THROUGH THE PIGNOSE G40V]

So, pretty good sound for jazz, something like that. If I roll off the tone a little bit more...

[DREW KRAG PLAYING AN EPIPHONE DOUBLE NECK THROUGH THE PIGNOSE G40V]

...that’s a pretty smooth jazz tone, but like I keep mentioning you can’t escape that tube sound. That -- It is what it is, but I do recommend this amp for blues, fusion, rock & roll, not so much for metal (I don’t think it’d be quite loud enough) or super heavy rock (probably not quite loud enough). I probably have to throw it up on a chair for rehearsals, that sort of thing, but blues, jazz, and anything with that warm saturated tone you’re good to go with this amp. Thanks for tuning in.

GRETCHEN HASSE: [LAUGHING]

DREW KRAG: It works. It works very, very well. I get to keep this right?

GRETCHEN HASSE: Of course.

DREW KRAG: Hell yeah!

GRETCHEN HASSE: I mean....