Pro Co Rat And Fulltone Ultimate Octave: Helen Money Shows Us Her Effects Loop
If you're wondering what an effects rig look like for a cello player, Alison Chesley (also known as Helen Money) will show you. If you're a guitarist suffering from stompbox envy, more commonly known as SE, you might want to stay away from this video.
Of note are her Pro Co Rat distortion pedal -- the first effect she ever bought for cello and the Fulltone Ultimate Octave because it sounds fantastic with the cello.
[ALISON CHESLEY PERFORMING]
ALISON CHESLEY: I think the first pedal I got was a RAT. It’s just a really basic distortion pedal, solid state sounding. The RAT is basically just overdrive, so.
[ALISON CHESLEY PLAYING CELLO THROUGH THE PRO CO RAT]
It’s not very beefy-sounding. But it cuts through really well. And then the second pedal I got was this Boss delay pedal. And those two pedals I just had forever. And they’re probably -- my delay pedal IS probably my, the one I use the most. I probably overuse it. I’m sure I do. But it just sounds really nice with the Cello.
[ALISON CHESLEY PLAYS CELLO THROUGH A BOSS DELAY PEDAL]
It’s kind of got a nice, really beautiful sound.
[ALISON CHESLEY PLAYS CELLO THROUGH A PRO CO RAT AND BOSS DELAY PEDAL]
It adds a really nice rhythmic element. It just varies the sound a little bit.
There a couple of pedals I use that I don’t use anymore that weren’t so successful. There’s an envelope filter I used for one, on one song that in my old band I would play on and that’s the only song I used it on. And it was a DOD pedal and I went through like five of those things. So, now these pedals are Boss pedals, the delay and the harmonizer and my loop stations and I really love them. I think they’re great. The Boss pedals I feel like they’re really reliable. They’re not going to break down on me. They never have, you know. So I -- there’s something about them that sounds really good to me.
The next pedal I got that I really liked is this distortion, this Ultimate Octave pedal because it’s really fat.
[ALISON CHESLEY PLAYS CELLO THROUGH THE FULLTONE ULTIMATE OCTAVE PEDAL]
And it has all these different harmonies in it. So it just makes the cello sound really rich and fat. I love it. [LAUGHING]
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